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Get Out Your Handkerchiefs 1978

In the opening sequence, before seemingly every door is thrown open in this farce, Blier shows a solid flair for the sparkle of screwball logic.

Get Out Your Handkerchiefs 1978

Critics discussed how the film sexually objectified or eroticized French Canadian actress.Get Out Your Handkerchiefs received generally positive reviews in the United States, with some concerns about., writing for magazine, praised Get Out Your Handkerchiefs as 'courageous and enjoyable' and made in the spirit of the. Richard Fuller, writing for, gave it three and a half stars and said it was 'a joy to spend time with,' though he objected to Mozart's music being overly loud.

Wrote that 'a rather bizarre mixture of gritty comedy, satire and delving into female status makes this a literary film. There is a lot of talk, sometimes good, but often edgy and too often pointless in lieu of a more robust visual dynamism and life.' Wrote the humour could be 'downright incomprehensible' and 'so airy it floats right off the screen.' Called it 'an erratic, often hilarious movie.'

In his 2002 Movie & Video Guide, gives the film three and a half stars and calls it 'disarming' and 'highly unconventional.' Arion Berger writes that 'to experience Get Out Your Handkerchiefs is to watch a master at the peak of his powers.'

According to Take One's Essential Guide to Canadian Film, French Canadian actress Carole Laure was 'permanently eroticized' by Get Out Your Handkerchiefs and her music career, as having 'reinvented the screen goddess.' An critic wrote ' Get Out Your Handkerchiefs is good for some laughs while flaunting somewhat outrageous disregard for standard sexual mores.' The website counts 12 favourable reviews out of 14. Accolades The film won the.

After four ballots, the named it the of 1978, with it also picking up 25 points for. The Best Film honour was considered a surprise, with objecting the award was 'downright incomprehensible.' AwardDate of ceremonyCategoryRecipient(s)ResultRef(s)WonWonBertrand BlierNominatedWonBertrand Blier5th PlaceRunner-up4th PlaceSee also.References. ^ Berger, Arion (23 September 1993). Retrieved 25 February 2013., p. 54. ^, p. 259., p. 256.

Crousse, Nicolas (5 June 2013). Retrieved 4 September 2016.

JP's Box-Office. Retrieved 3 September 2016. ^ Denby, David (October 16, 1978). 'One Touch of Mozart'. P. 120., p. 292. Morris, George (December 1978). 'Celluloid Circus'.

P. 202. ^ Denby, David (22 January 1979). 'The Men Who Loved Women'. P. 66. Fuller, Richard (March 1979).

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'A Disney Irregular'. P. 71. Fuller, Richard (March 1979). 'A Disney Irregular'. P. 70. Variety Staff (1977). Retrieved 25 February 2013.

^. Vol. 11 no. 6. February 12, 1979. CA.

Retrieved 25 February 2013. ^, p. 514., p. 124. metalluk (5 June 2004). Retrieved 14 June 2013. Retrieved 25 February 2013. ^ Masun, Janet (4 January 1979).

Retrieved 3 September 2016. Retrieved 2013-06-07., p. 252. Retrieved 3 September 2016. Maslin, Janet.

Retrieved 24 August 2019.Bibliography. (2012). Mozart's Ghosts: Haunting the Halls of Musical Culture. Oxford and New York: Oxford University Press. Harris, Sue (2001). Bertrand Blier.

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Manchester and New York: Manchester University Press. Lanzoni, Remi Fournier (22 October 2015). French Cinema: From Its Beginnings to the Present (2nd ed.). New York, London, New Delhi and Sydney: Bloomsbury Publishing.

(2001). Leonard Maltin's 2002 Movie & Video Guide. A Signet Book.

(2001). Take One's Essential Guide to Canadian Film.

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Toronto, Buffalo and London: University of Toronto Press.External links. on.